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THE
BLACKWELL
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Betsy De Fuscos
colorful abstractions have been
the focus of recent exhibitions at the Dayton Visual Arts
Center, Columbus Cultural Arts Center, and Art Access Gallery, Columbus.
In the past two years her painting has been included in juried exhibitions
in Chattanooga, Philadelphia, New York City, and Los Angeles. Among
the many public collections that include her work are Schoonover
Boyer Gettman and Associates, Columbus, State Teachers Retirement
System, Columbus, Huntington National Bank, Cleveland, and Glen
Weber and Associates, Washington, D.C. De Fuscos painting
is also in numerous private collections as well.
De Fusco graduated with a degree in Art Education from the University
of Dayton and received a M.F.A. from The Ohio State University.
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When
sorting out the immense range of visual stimuli that passes before
us, color and light emerge as the most compelling aspects of what
we see. I am interested in the ability of color and light to evoke
a positive emotional response within the viewer. Various colors
in a painting, blended and configured in a similar way to musical
harmonies within a song, can pacify the mind and lift the spirit,
bringing about a change physically as well as mentally.
When I paint, I apply thin layers of paint horizontally and vertically
over a period of time. The colors are interwoven and overlapped
like weaving in a fabric until completeness is felt within the structure
of the painting. This completeness embraces balance, harmony, connectedness,
complexity of surface, depth and order. I like the idea that the
woven bands of colored air breathe color out into the atmosphere.
I never begin a painting with a preconceived notion of how it will
look. To me, that would eliminate the adventure of not knowing what
comes next. The paintings are begun rather haphazardly, and the
process of building up the layers is a day by day event, with something
different happening each time. The completed painting becomes for
me a little lesson in color and the mysterious properties of paint.
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