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PFAHL
HALL
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Cynthia Alderdice,
a graduate of the University of Texas, works in a variety of media,
including painting, printmaking, and papermaking. Interweaving
Pattern Lies uses those techniques to create a rich and varied
surface. Alderdice's work can be found in collections including
those of the Musee d' Art Contemporain, Chamalieres, France; Robert
C. Williams American Museum of Papermaking, Atlanta; and Baltimore
Museum of Art.
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Some
of the symbols and iconic language in my work have African origins;
however, the more underlying messages come from a mystical Tibetan
heritage. Fifteen years ago, I traveled to "the roof of the world."
At that time, only 1,500 visitors had made the grueling trek.
It
is important for me to convey this work on handmade paper. An exciting
new development is pulp-painting the color as an underpainting for
the carved wood block on freshly made Kozo base sheet, thus creating
a more dimensional and painterly look for the wood intaglio print.
This is achieved by beating cotton rag pulp for four hours in a
large paper beater, then adding artist pigments to color the beaten
cotton pulp. This colored pulp is then "painted" on the wet Kozo
base sheet to provide the background colors. When the paper has
dried, the wood block is inked and printed through an etching press.
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